Five of the best eco paints


With most of us spending around 90% of our time indoors, the quality of our indoor air is more important than ever. The cocktail of chemicals we use in our homes in cleaning products, synthetic furniture (MDF etc) and even cooking fumes can seriously damage our bodies. If you think about the surface area you cover when redecorating walls and woodwork with paint, choosing an eco friendly paint can be a smart choice if you want to not only reduce your environmental impact but also look after your health.

The good news is that there are are lots of ‘eco friendly’ paints available these days, but navigating exactly what that means can be confusing. Don’t be fooled by paints being simply labelled ‘water based’, because plenty of toxic chemicals can be suspended in water.

There are two main factors to consider when making you choice. Firstly, the ingredients: Shockingly, there is no legal requirement for paint companies in the UK to list their ingredients, but any reputable company should be able to provide you with a list if you ask for it. When checking ingredients, remember that just because something is ‘natural’, it doesn’t mean it is not harmful to humans or the environment. There is also no such thing as VOC-free paint but there are legal limits. Look at the grams of VOC per litre (g/l) -a paint with less than 4g/l is classified as minimal VOC.

Secondly, consider how the paint is produced and what environmental and sustainability credentials the company has. Production processes, transport and waste will all have an impact.

Here are my five great eco paints that you could consider if you are redecorating:

Farrow and Ball

Farrow and Ball jitney

Farrow and Ball were one of the first companies to produce an almost entirely water-based range of paints, which all exceed the legal requirements for minimal and low VOCs. They are safe for children’s furniture and toys, being certified to meet Toy Safety Standards and for pets (I even painted a cot using their paint, knowing my baby would chew on the bars and I am one paranoid parent). They also recycle almost all their waste, source their ingredients responsibly, use FSC certified paper for all their brochures and colour cards and don’t test on animals.

Web site: https://www.farrow-ball.com

Little Greene

Little Green 13_intelligent_finishes

All Little Greene’s water-based paints are virtually odourless and their oil-based paints are made from sustainable vegetable oils. Their Absolute Matt Emulsion, Intelligent Matt Emulsion and Intelligent Eggshell paints meet toy regulation standards and are safe for babies and children. Little Greene also recycles its waste, the paints are produced in the UK, so no air miles, and they don’t test on animals.

Little Greene’s sister company is Paint and Paper Library, which has the same credentials.

Web site: https://www.littlegreene.com/

Earthborn

Earthborn paints Kitchen-ft.-walls-in-Peach-Baby-and-cupboards-in-Secret-Room

Earthborn was established as a designer ‘eco paint’ company back in 2002 and prides itself on being awarded the first UK license of the EU Ecolabel for indoor paints and varnishes. All their products have a full list of ingredients and do not contain any acrylics or oils. Earthborn paints have good breathability and the moisture absorbing qualities of their Claypaint helps even out the humidity in a room, making for a healthier, more comfortable living environment. The clay in Earthborn Claypaint emits negative ions; higher ambient levels of negative ions are widely accepted as being beneficial to health and wellbeing, especially for allergy and asthma sufferers and Claypaint’s high clay content helps to destroy airborne odours and contaminants. Earthborn claims that this paint results in less static electricity build up, reducing dust and allergens.

Web site: https://earthbornpaints.co.uk/

Graphenstone

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Graphenstone is the brainchild of a chemical engineer who dedicated himself to the idea of developing a natural, ecological and health conscious paint for the 21st century. Their unique lime paint is created through using a 100% natural and environmentally friendly production cycle, using traditional techniques, but adding a new ingredient called graphene, which makes it more durable.  Graphenstone’s paints are free from VOCs, carcinogens or toxic substances and amazingly also reduce carbon dioxide from the air inside your home in similar quantities to a tree. Due to a natural process, when the lime is carbonating, it absorbs CO2 from the ambient air and cleans the air that you breathe.

Web site: https://graphenstone.co.uk/index.html

Painthouse

Painthouse

Painthouse is a new British paint company that makes almost VOC -free paints, meaning that they have almost no smell. Suitable for children’s rooms and for those with allergies, you can sleep in a newly painted room the same day without worrying about breathing in fumes. Painthouse paints also need no primer and are easy to apply. They dry to a smooth, matt finish and marks can be easily wiped away with a damp cloth.

Being UK based means there are no air miles involved.

Web site: https://painthouse.co.uk/

The story of my unconventional career as an interiors stylist, writer and designer


Emily Wheeler 2

I thought I would write a longer post about my career as an interiors writer and stylist, so you can get to know me a little better. It’s turned out to be really quite a lot longer, so maybe settle down with a nice cup and tea and put your feet up if you can!

As a child, I was lucky to grow up in a home that my mum made special, personal and homely. My mum went to theatre school and loved set design and although she went on to be a primary school teacher for a while (we’ve had weirdly parallel careers, although I became a social worker – more on that later), she was always redecorating our home and had a very theatrical but welcoming style. She also taught me the value of buying vintage and rescuing and mending discarded furniture – she was the original stylish skip diver and fearless DIYer, in her high heeled espadrilles! I remember after my parents divorced and we first moved to London when I was only five years old, she wanted to make our bedroom somewhere fun and exciting and she spent hours painting a huge rainbow mural across the wall. It was the best thing to come home to and I loved it!

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Me, Mum and my little brother around the time we moved to London.

Although in those days mum taught at the same local primary school that we went to in Hackney in London, at weekends she sold small antiques and trinkets on a stall in Camden Passage in Islington. We sometimes used to go with her and soon got used to spending hours sitting under the table, or on a hard little stool while she sold her wares. The other antique dealers were an exotic, eccentric bunch and there was a wonderful sense of camaraderie. Years later, after she had left teaching, she had her own antique shop there and I would help on buying trips to antique markets across England and France and I learned a lot about styling from merchandising the shop, which was full of beautiful French and Scandinavian antiques. Our family home was a location for shoots by then, but it was in the shop that I met lots of interiors stylists after I left university, because they would often come in and borrow things. I had been working as a journalist on a start up news platform and it seemed a natural step to become an interiors stylist for magazines and so that’s what I did, first by working unpaid as work experience after sending off countless CVs and then by assisting once I’d got a foot in the door.

Assisting on interiors shoots was a dream come true. My first real homes shoots were with Mary Weaver, now the Homes Editor at Living Etc. Mary was freelance and she kindly let me come along and learn the ropes. Later, I got experience assisting on shoots at Living Etc magazine itself, under the former editor Suzanne Imre, and I loved the buzz of finding and calling in the products, unpacking the props and watching as the art director and photographer weaved their magic, before meticulously packing it all up again. I got to work in some amazing locations, including Abigail Ahern’s beautiful home when it was white and minimal, and I loved every minute.

Although all this was a lot of fun and a complete dream come true, the reality was that making my way in London as a young assistant stylist was a tough business and I wasn’t in a position to live at home with my parents, which is what lots of people do when they’re starting out. I decided I needed a ‘proper job’ and would train as a teacher because I loved writing and had tutored some kids who lived near me, so I figured I would make a great English teacher. It was at this point I fell into becoming a social worker when I was getting experience working with children and was offered a job in children’s social care. I had been looking for an alternative career that gave back and was centred around the values of kindness and compassion and this was it. I loved it and they paid for my second round of university training and so began several years of child protection social work, still helping my mum with her business at weekends and whenever I could.

I learned so much as a social worker during this time. I had been quite shy and lacking in confidence and it was an amazing supportive environment to learn in, because social workers are a compassionate group of people doing the hardest job in the most difficult of circumstances. My confidence grew enormously as I found ways to deal with situations I could never have dreamed I would find myself in, day in and day out. And I loved working with children and their families, finding ways to overcome their difficulties together.

I also knew I wanted to start a family and being a front line social worker isn’t easy if you’re pregnant or have young children yourself and by now I was a manager, which brings its own challenges. I decided to take a sabbatical and return to my love for interiors, so I applied to the world renowned KLC School of Design in London to study interior decoration. I did an intensive course and although I probably didn’t need to do it to be able to make the move into design, it gave me confidence and was a good foundation for doing more in depth interiors work. It was then, ten years ago, that I started this blog.

When I qualified I was lucky to be offered several design jobs, which I took with my heart in my mouth due to nerves and just ran with! The first was for the fashion designer Katharine Hamnett, who I had met though the shop. She had recently moved to a new house near where I was living and had heard I had just finished my training. I researched the latest eco house technology for her, which was fascinating and great experience, and helped to plan her home’s redecoration, which was an a wonderful opportunity.

Emily

Next I went to assist the interiors editor at the Telegraph magazine and learned a lot about interiors journalism. I helped out generally wherever I was needed, put together product pages, researched and assisted on shoots, liaised with PRs and photographers and wrote short pieces for the Saturday magazine. I also worked shifts managing staff on the NSPCC Helpline in the evenings and at this stage I was pregnant with our first child. I’m telling you this because the reality of a lot of this work before Instagram, was that it was hugely rewarding but also really hard work and not very well paid. So you really needed to be dedicated or lucky to survive – preferably both!

And then I had our baby. I worked right through after a short break, on my laptop with him napping or playing at my feet. Soon after, I helped redesign a whole block of voice-over studios in an enormous building in Soho, which was a huge learning curve; took on several small residential projects, styled promotional images for interiors brands and was writing this blog almost daily, gathering an engaged and dedicated readership when interiors blogs were a very new thing (this was in 2010). I didn’t feel I could pass up any work opportunities in case no one ever asked me again, which I think is very common for anyone starting out as freelance, but I loved the work and was so thankful for the amazing opportunities coming my way.

When my son was about a year old I went to stay with my mum, who had moved to France by then, for a break. A second cousin, Ingrid, who I hadn’t really seen since we were babies was also visiting and we got chatting about interiors work. She was (still is) an incredible interiors photographer and was looking for a new stylist and writer to collaborate with. A dream partnership was born and we spent the rest of our stay shooting test images together, some of which are still in both our portfolios to this day, we love them so much.

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Ingrid and me (photograph: Ingrid Rasmussen)

On returning to London, we pitched some interiors real homes stories to publications and soon I was styling and writing a new home story for magazines almost weekly. The hardest part was finding the houses that would be interesting  and beautiful enough for editors to want to publish them and with owners who wanted to be featured, but it turned out I was really good at it and my career as a writer and stylist really took off. I loved the process of researching and finding the houses, styling them, working with a photographer and then writing the story to go with the pictures. I’ve been lucky to produce stories about so many truly beautiful and inspirational homes, working regularly for the Guardian Weekend, Stella, Sunday Times Style, The Simple Things and many other interiors magazines.

It wasn’t long before we decided to pitch for our first book together and in late 2013 Creative Living London was published. It was two years in the making and saw us photographing 34 incredible homes across London, with me styling the houses and writing the words while Ingrid took the photographs.

Book Cover

What an amazing time that was. To be privileged enough to be invited into the homes of some of London’s most well known creative talents, to have free reign to style those homes and photograph them with Ingrid and then to interview the owners as well was a dream come true. I met the most incredible people including the fashion designers Zandra Rhodes and Ally Capellino; the make up artist Lisa Eldridge; the bridal designer Kate Halfpenny; the interior designer Jo Berryman; the architect Chris Dyson; the organics entrepreneur turned interior designer Jo Wood; the product designer Marc Newson and his wife Charlotte Stockdale and many more less well known but equally inspirational creatives, all with beautiful and truly individual homes. I really poured my heart and soul into into Creative Living London – I’m incredibly proud of it and many people tell me it’s their favourite book for interiors inspiration, which makes me so happy.

creative-living-london 2

Our second baby was born the week Creative Living London was published and for the first year I did lots of press for the book, including book signing at the London Design Festival, and continued to shoot amazing homes, often with baby in tow!

ROSIE 5029 and others

Although my career was riding the crest of a wave and looking back, I was really on the cusp of something seriously amazing, at home things were more difficult. We were living in a tiny rented flat (which I still managed to style well enough for it to make the cover of an interiors magazine and be featured in others – see below! It says ‘purchased’ but we were actually renting…) and by now had two small children.

Bathurst feature

Pic above: Our rented flat in Kensal Green where I managed to fit a cot underneath a bunk bed to squeeze both the kids into the tiny bedroom! (Photography: Ingrid Rasmussen)

But  as I said, we were still living in a tiny flat and we had to make some tough decisions if we wanted to be able to buy a permanent home for our little family. Mortgages were almost impossible to get then if you were self employed and after lots of sleepless nights (not just because of the newborn) I decided that the only way we could possibly afford to buy our own house would be if I returned to a permanent full time job and this meant going back to being a social worker. It was the hardest decision I’ve ever made, especially as I was really making a name for myself in interiors by now and had lots of amazing opportunities coming my way.

Loft

Pic above: Me on site in the loft when we had no roof!

At first I carried on writing and publishing stories when I could, interviewing home owners on the phone in the evenings after getting back from my job and putting the kids to bed, but it wasn’t sustainable. I could have blogged or instagrammed about our renovation but to be honest I was exhausted and living on a building site with two children under five while working five days a week in child protection again was all I could manage.

When I went back to social work, at first it was reluctantly, and I can’t say it wasn’t incredibly hard. I was still breastfeeding and was out conducting child protection enquiries on the other side of London, running home and looking after my babies amidst the dust and rubble, after a gruelling day at work on the front line in the poorest part of London. But then I fell back in love with the job and I remembered why I had loved it the first time around. Working alongside the most vulnerable families, with a dedicated team of professionals who were all committed to improving people’s lives, is a privilege and I was using my hard earned skills and knowledge again. And of course, we have created a beautiful home for our little family.

The move back to interiors again happened naturally, and having renovated an entire house top to bottom I never actually stopped! Working on our own home helped shape my own style even more definitively, while the social work gave me a renewed sense of perspective and compassion in everything I do.

I’ve been fortunate to have had features continue to be published through our agent; my book Creative Living London continues to sell well, gets great reviews and is stocked in the most beautiful stores all over the world, and over the past year I’ve taken on three interior design projects that came to me through word of mouth, all of which I’ve loved working on, including an incredible 1970s house that sold to the first viewers through The Modern House web site. You can see the whole house here. So my interior design practice has picked up where I left off, for which I am so grateful.

The Modern House
The Modern House

I know I have an unusual combination of skills with interiors and social work, but to me it makes perfect sense. Both are about supporting people to lead better, happier lives and both are often about the importance of feeling safe and happy at home. I feel passionately about how important our homes are to our physical and emotional well being and about sharing my knowledge and experience with others.

Loft bedroom

Pic: Our loft bedroom, complete with new roof!

I am also working on two very personal projects and I am pouring my heart and soul into them both. The first is a community furniture project called Furnishing Futures, which will fully furnish the homes of families experiencing furniture poverty with upcycled and pre-loved furniture and you can read more about that here. If I wrote all about the project here, it seriously would be more like a novel than a blog post, so please do hop over to the web site to read about my work there. And the second is an online vintage and homeware store that I am getting ready to launch, called Kinship and Kind, which will support my work on the project and allow me to spend many happy hours sourcing the sustainable and beautiful vintage furniture that I love.

I’d always wanted to find a way to bring together my social work knowledge and experience about how to support people to improve their lives, with the magic of creating that special place called home, and now I think I’ve found it. 

So I’ll still be writing about all things interiors; shooting more wonderful homes for magazines; continuing to grow my soulful and sustainable interior design practice and continuing on the magical, never-ending journey that is creating our own place called home. I hope you’ll come along for the ride…

Emily x

 

 

NB: This post was edited after publication.

 

A little update


Kitchen 2

Hi everyone. You might have noticed I haven’t posted for a while and I thought I would pop on here and give you an update! Just at the point that this blog was really taking off, I decided to take a break from it to focus on growing my little family and renovating our first home. That might not make  much sense, but the truth is that although I had planned to share all that with you here, life with two small boys, our first home to fully refurbish (see above  –  a work in progress!) and full time work meant that it wasn’t really possible for me to do that in the way I intended. Something had to give!

Anyway, here I am, a little older and wiser and getting ready to share my journey with you once more. It’s going to take a little while for me to give this web site a refresh but stick with me – it will be worth it I promise!

The new blog will feature an updated portfolio of my writing and styling for magazines;  my interior design portfolio; pictures of our home and renovation journey and will have a focus on sustainability and community, which is where the last few years of my work have led me. I’ve got so much to tell you about what I have been up to and about the exciting projects I have coming up. More on that soon…

Please stay tuned and I hope you will keep checking in. In the meantime, please follow me on Instagram @emilywheeler.interiors where I post regular updates.

Thanks so much for your support and see you soon!

Emily x

Tapiola: my latest design project


The Modern House

A little preview of a longer post I’m writing about the award-winning architect designed 1970s house Tapiola, which I designed the interiors for. The brief was to bring it up to date for the owners, who had been living abroad, and the house was feeling a little unloved. I designed it with a nod to the Scandinavian background of the owner and in sympathetic tones to the materials of the house itself, which was designed to sit gently within the surrounding trees and natural environment. More coming soon…

Tori Murphy’s home in Germany’s Couch magazine


Couch_Cover_grandeCouch_1_grande 1Couch_2Couch_3Following my feature in The Guardian, textile designer Tori Murphy’s lovely home featured in Germany’s Couch magazine, styled and written by me. Check out Tori’s fabulous work here and also in the Christmas issue of Living Etc out this month.

How to… style a mantlepiece or sideboard


I often get asked for styling tips so I thought I would share some ideas for styling surfaces such as mantlepieces and sideboards today. Most of us have a surface like this at home and it’s all too easy for them to become a dumping ground for piles of post, empty coffee cups and bunches of keys. Style them in the right way, though, and they can become a fabulous focal point.

My first tip is to think about how you group objects. Never place things in uniform rows and try to arrange them by using items of different heights. This will give your display energy and interest. Vary the heights of objects and try placing the tallest object close to the middle.  Also, by using objects of differing heights, it will look artfully styled rather than things looking as though they have been left there accidentally.

Try to keep the number of objects you use odd. For some reason, odd numbers of things are always more interesting and it is an age old stylist’s trick to always place objects in groups of three or five and never two or four. It just looks so much better.

Try to place things together and in front of each other, without leaving big gaps. Play around with them until they feel right. We all have objects at home that can be transformed into really cool displays once they are placed next to the right thing. For example, place a vase next to a photo frame, a candle, a picture and a small pile of books. Use something random and unexpected! This will add cool factor. Place photos or artworks leaning against the wall, slightly overlapping. You get the idea.

Here are some images from the homes of stylists Marianne Cotterill and Sarah Fry, artist Annie Morris and stylist Claire Durbridge from my book Creative Living London (photographs by Ingrid Rasmussen), which I hope will inspire you:

MARIANNE  060SARAHFRY  201MORRIS  119SAKOUI  013

Cool rooms for kids


I had a baby boy a few weeks ago and while he is sleeping with me at the moment, my thoughts have turned to decorating the nursery where he will join his big brother in a few months (hopefully he will be sleeping through!). I’ve been really lucky to have styled some homes where there are super cool kids rooms, so I thought I would share some of them with you here. I hope you find them inspirational and fun. If you’d like to see more of the lovely homes featured here, you can read about them in my new book Creative Living London. (Photographs by Ingrid Rasmussen)

LONDONFIELDS  904This room is filled with bright colours and plenty of spaces for the kids to hang out, such as this tipi. What I loved about this kids’ room though is that it is also home to some very grown up art, which the owners were not afraid to hang in the children’s space. On the contrary, they chose some great art specifically for the room and the kids loved it.

SAKOUI  191SAKOUI  200This adorable room belongs to fashion stylist Claire Durbridge’s two young children. Claire has used lots of clever styling tricks to personalise the room, making it super cool without being too cutesy or obvious. The gorgeous animals on the walls were cut out of some gift wrap and glued to the walls, while Claire took an old vintage lamp and added a black pompom trim. The black and white monochrome theme gives it a sophisticated finish, while Claire’s little flourishes and plenty of vintage keep it quirky and fun.

GOODHOOD  034GOODHOOD  045How cool is this for a nursery?! This super stylish space belongs to Jo and Kyle’s adorable little boy. Jo and Kyle own the lifestyle and design store Goodhood and they have decorated their nursery with the same eye for detail and design as the rest of their fabulous home. Jo found the Burger King sign at a flea market, while the other artworks are part of the couple’s own collection. Filled with colour and a mix of modern and vintage, this is a very stylish space indeed.

MARCNEWSON  107Last up, designer Marc Newson and stylist Charlotte Stockdale’s nursery, which has its own bathroom. The vivid red is vibrant and fun while the wall sticker keeps the space child friendly.

My top tips for kids rooms:

1. Think long term. You don’t want to be redecorating in a year’s time, so try to choose a scheme that can grow with your child. Consider using wallpapers or furnishings that would work equally well in 1,3 or 5 years’ time or even using grown up styles that can work for kids. Cole and Son have several great wallpapers that will grow with your child, for example.

2. Think practical. Kids’ rooms get a real bashing, so don’t put anything fragile or precious in there! It seems obvious, but it’s tempting to splash out on those beautiful items, only to be horrified when your little angels take a pair of scissors or a felt tip pen to them.

3. Try adding some vintage. Vintage furniture is often cheaper and better made than new and will withstand the most boisterous toddler as well as adding a timeless and personal element, more popular with older children. Online auctions, car boot fairs and antique markets are all good places to look.

4. Encourage their creativity. Children love to get creative and they will love their room even more if they are allowed to be creative in it. While you might not want them splashing paint around, consider painting out a wall, piece of furniture or even a small design on the wall in blackboard paint so that they can scribble away to their heart’s content.

5. Create a den or hiding place. Children love to hide themselves away sometimes and adding a canopy over the bed, a tipi or a den will give them a special place to hang out, read and make believe.

My favourite stores:

1. Kidsen: Clothing, shoes and nursery decor from the coolest Scandinavian brands. Really worth checking out.

2. Cole and Son: Fabulous wallpapers that suit all ages and styles.

3. The Modern Baby: A treasure trove of decorative accessories and ideas with a contemporary feel.

4. IKEA: IKEA offers great design at great prices. Think outside the box – for example in our nursery I have repurposed their £3 spice racks as bookshelves and they look fantastic (more on this and other ideas another time…)

5. Auctions, antique fairs and car boots: Absolutely the best places to buy pre-loved nursery items, quirky artwork and unique pieces of furniture.